Juni 06, 2011
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Download , by Tony Barrell
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, by Tony Barrell
Download , by Tony Barrell
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Product details
File Size: 11099 KB
Print Length: 224 pages
Publisher: Omnibus Press; 01 edition (October 26, 2017)
Publication Date: October 26, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B075KCCDYM
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The “Let It Be,†sessions resulted in the Beatles last film which is, to be honest, a tough watch for fans. Although it was going to be the Beatles filmed while recording an album, ending with the finale of a wonderful, life affirming concert (Director Michael Lindsay Hogg envisioned an amphitheatre in Tunisia, possibly with a dawn start, until realising the band would still be in bed at that time and Ringo, having disliked Indian food was not keen to try Tunisian cuisine…), the result was a band disintegrating in front of the cameras, with their final concert seeing them going no further than the roof of their Savile Row Apple offices…That said, the Rooftop Concert, as it came to be, misleadingly, known (the author of this book suggests it was more a live recording session, with more than one version of some songs) is joyous and you can hear, and see, that the band are enjoying themselves. Plus, the earlier recording sessions did result in more bootlegged material than anything else in the Beatles career, so it did leave fans with some worthwhile material, to be endlessly mined and pored over.In this book, we are taken from the end of 1968, through to the rooftop performance on January 30th, 1969. There is some good detail on the formation of Apple and the purchase of the building in Savile Row, along with a brief history of the building and the area, for those who are not familiar with it. As Apple Corps went into freefall, and the band fragmented, they were obliged to try to make business ventures work. However, as the band fell apart, both Lennon and McCartney were heavily involved in their most intense romantic relationships, with Yoko Ono and Linda Eastman. Linda, who would marry Paul in March of that year, was pregnant with their first child (Paul would adopt her young daughter, Heather), while John and Yoko would also tie the knot within a couple of months of the Beatles last live appearance. Yoko’s appearances at the recording studio caused continuing tension within the band, as did Lennon’s increased use of heroin; making him often distant, uncommunicative and disinterested.From the start of filming at Twickenham studios, on January 2nd, 1969, it was clear that both the studio (cold and vast), and the stress of being constantly filmed, were not conducive to making music. The author suggests that going early in the morning may have reminded the Beatles of their early years when they commuted to work. Actually, the only Beatle who ever held a proper job for a long period, was Ringo, who did three years of an apprenticeship. George and Paul held short term jobs, but John only managed a few weeks as a labourer before being sacked, so I am not convinced that commuting was something they were too familiar with. Certainly, early mornings were not something they were that keen on either, but they all seemed initially interested in the idea of developing new material and, indeed, on the concept of a concert.It is interesting to hear from many of the people who worked on the filming, or at Apple, or who were involved in events at some point in the story (including some of the police who traipsed along to Apple after complaints about the noise, and those who were lucky enough to be around and witness the impromptu concert). However, at the start in Twickenham, with no Brian, or George Martin, to set them down to work, the Beatles retreated into oldies; procrastinating, jamming and bickering. When George walked out, John unkindly suggested replacing him with Eric Clapton (apparently, when told this later, Clapton retorted that the Beatles were far too unpleasant to each other for his liking).Things improved with a move to the basement at Apple and the intelligent suggestion, by a returned George, that Billy Preston (who they had first met in Hamburg and who was in London playing with Ray Charles) be invited along. As Lennon later admitted, a ‘guest,’ meant that everyone was on their best behaviour and things in the studio improved. Despairing of his amphitheatre venue, you sense that Michael Lindsay-Hogg was just grateful that the Beatles agreed to climb up to the roof and perform. Even at the last minute, even this was in doubt, until John took the lead and led the band out onto the chilly rooftop. The performance ended with John’s line, “I’d like to say thank you on behalf of the group and ourselves, and I hope we passed the audition.†Ironic, indeed, especially had he known the building had been previously owned by one of the directors of Decca – who had rejected the band back in 1962.This book is full of such nuggets. The author weaves in all the current news stories, events going on at the same time, funny comments, reminiscences and memories. The Beatles never performed together again, despite endless offers. Perhaps it is just as well but, either way, it was a great performance and they certainly did pass the audition!
This is a marvelous little book about one of the great highlights of the Beatles late career . The book is very well researched and very well written . The reader is given all the lead up and background , all the disintegration and bickering as the group fell apart but also the pride they had in being the Beatles . This rooftop concert and the album Abbey Road are the group’s last two triumphs .
I've probably read a hundred Beatle books and fewer than 10% have really stood out. This will join the list of favorites, in part because it's so tightly focused. While some might see the what-else-was-going-on-in-the-world stuff as extraneous, I'd heartily disagree. Barrell does a wonderful job of establishing context both in the big world and within the extraordinary quartet playing their very last gig together. Fifty years on, the building – now an Abercrombie for Kids store – is still recognizably where it all happened, and Barrell's writing makes it easy to imagine having been on Savile Row at lunchtime on January 30, 1969. (One small quibble: it's clear that a lot of research and fact-checking went into this book, but early on there's a reference to Senator Robert Kennedy being assassinated on June 10, 1968. The tragedy took place four days earlier than that.)
This is a good book filled lots of little details about the Get Back sessions and the events leading up to the rooftop "concert." I've read a ton of Beatle book and there was some info in here I had never read before. Seems well researched, including info gathered from first-hand accounts by people who were there at Twickenham Studios, the Apple building and studio, on the rooftop during the event, and on the street below. The only fault I had with the book was the numerous times Mr. Barrell would wander off course offering details of events that had no relevance whatsoever to the Beatles or the rooftop concert. I assume he was trying to put the events into "historical context" but to me the technique didn't work well. Perhaps citing some of those events in the prologue or first chapter might work fine, but to keep inserting them awkwardly into the middle of the Beatles story came across more as a distraction than a historical framework. I would still recommend the book however. There are enough tidbits and little-known story details here to forgive a few distractions.
Nice bookNothing startling if you are a Beatles fan and have read a lot and listen to interview
Excellently researched, complete story of The Beatles as a band and as individuals in their late days - the context for the rooftop performance and the prelude to Abbey Road.
I did like all the minutiae the author included as to what was going on in London around the time of the show.
Definitely leaves you feeling that you know exactly what the lucky few experienced. My what wouldn't I give to have been there
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